Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Mlle Dihau at the Piano oil painting


Mlle Dihau at the Piano
mk194 c.1869 Oil on canvas 39x32cm
Painting ID::  49191 		Edgar Degas
Mlle Dihau at the Piano
mk194 c.1869 Oil on canvas 39x32cm
   
   
     
Edgar Degas Untitled Near Saint-Valery-sur oil painting


Untitled Near Saint-Valery-sur
mk194 1895
Painting ID::  49192 		Edgar Degas
Untitled Near Saint-Valery-sur
mk194 1895
   
   
     
Edgar Degas Young Woman Lying on a Chaise longue oil painting


Young Woman Lying on a Chaise longue
mk194 c.1895-1900
Painting ID::  49193 		Edgar Degas
Young Woman Lying on a Chaise longue
mk194 c.1895-1900
   
   
     
Edgar Degas The masseuse oil painting


The masseuse
mk194 c.1895-1900
Painting ID::  49194 		Edgar Degas
The masseuse
mk194 c.1895-1900
   
   
     
Edgar Degas Glulia Bellelli,Study for the belletti Family oil painting


Glulia Bellelli,Study for the belletti Family
mk194 1858-59
Painting ID::  49195 		Edgar Degas
Glulia Bellelli,Study for the belletti Family
mk194 1858-59
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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